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Our favo(u)rite British music mags are in especially fine Snob form this month. In Mojo, David Fricke, actually an American rock writer with an awesome Marky Ramone ’do, describes the sound of vintage Blondie as “a knockout combination of hot candy and pop-art vision, powered by the drumming of Clem Burke and iced with the peppermint-Kraftwerk keyboards of Jimmy Destri.” Nice one, David! Though if it’s “hot candy,” why are the Kraftwerk peppermints so icy?
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Albini, Steve. Self-consciously difficult Chicago-based record producer who chafes at being called a producer, insisting that he merely “records” bands; best known for having produced—er, recorded—Nirvana’s studio swan song, In Utero, and for issuing snarky comments to the press when some of the album’s uncompromisingly raw songs were later remixed by other producers. Albini, who pushes the bounds of hard-rock iconoclasm by wearing glasses and having short hair, enhanced his outsider cred by playing guitar in the not-very-good hardcore bands Big Black, Rapeman, and Shellac. Man, that drum sound is a monster! No one knows mic placement like Albini.